Why in news?
The Assam government is in advanced talks with the British Museum to bring home the historic Vrindavani Vastra, a 16th-century Assamese textile depicting the life of Lord Krishna. Chief Minister Himanta Biswa Sarma visited London in mid-November 2025 to sign a Memorandum of Understanding for the cloth's return on a long-term loan. If all conditions are met, the textile will be exhibited in Assam from 2027.
Background
Vrindavani Vastra ("cloth of Vrindavan") is a silk tapestry woven under the direction of the Vaishnavite saint reformer Srimanta Sankardeva and at the behest of Koch king Nara Narayan. The enormous cloth, originally about 9.5 m long, is stitched together from several narrow strips of lampas-woven silk. Each strip contains repeat images of Hindu mythology: scenes from Lord Krishna's childhood, Garuda, avatars and various gopis. The textile also bears parts of Sankardeva's devotional poem "Gopi Uddhar." It is considered a masterpiece of Assamese weaving and devotional art.
Repatriation efforts
- Loan arrangement: The British Museum has agreed in principle to loan the Vrindavani Vastra to Assam for 18 months starting in 2027, provided a suitable climate-controlled museum is built. The JSW (Jindal) group has offered to fund the construction of the museum in Guwahati, after which ownership will revert to the state government.
- Government support: The Indian High Commissioner to the UK and the central government are assisting. A sovereign guarantee from the President of India may be needed to assure safe return of the artifact.
- Public display: Once the textile arrives, it will likely be exhibited in Guwahati and other Indian cities such as Delhi and Mumbai. The state aims to raise awareness of Assamese culture and the contributions of Sankardeva.
Historical journey
According to historians, pieces of the Vrindavani Vastra were taken from Assam to Tibet in the 17th and 18th centuries. British explorers acquired fragments in the 19th and early 20th centuries, which subsequently entered European and North American museums. The largest surviving portion is held by the British Museum, while other fragments reside in museums in Paris, Boston and Los Angeles. The current plan marks the first time in over a century that the cloth will return to its place of origin.
Sources: Times of India · Daily Pioneer · New Indian Express